South London singer-songwriter Rowan Flack is quickly becoming a key figure in the UK jazz and soul renaissance. Weaving in elements of pop, indie and folk into her intricate, expressive sound, Flack is becoming renowned for her thought-provoking lyrical approach and seamlessly smooth instrumentality. A former Brit school student, the artist has an impressive musical education and is building a discography to do it justice, not least with her newest cut, \u201cTipsy On The Tongue\u201d.<\/p>\n\n\n\n
The new single sees Flack at her textured best. Dreamy keys, groovy bass and breezy percussion build a silky smooth and funky backdrop for Flack to deliver a laidback, sultry vocal performance, gliding atop the vibe-laden beat with assured nuanced. Lyrically, the songwriter flaunts her focus in her craft, with themes of self-reflection, love and communication all apparent.<\/p>\n\n\n\n
Speaking on the track, Rowan adds: \u201cThe music is inspired mainly by relationships. As I have gotten to this stage of my life, I am constantly discovering different flaws and blessings in myself and my personality. I tend to lean towards writing about communication and personal experience.\u201d With the lyrics showing a vulnerability to the artist. \u201cTipsy On The Tongue\u201d focuses on the flaws of my personality and self-awareness during an argument and how two people\u2019s love languages don\u2019t always align.\u201d<\/p>\n\n\n\n
With plenty of new music to come, make sure you get Rowan Flack and her gorgeous gems on your radar!<\/p>\n","protected":false},"excerpt":{"rendered":"
South London singer-songwriter Rowan Flack is quickly becoming a key figure in the UK jazz and soul renaissance. Weaving in elements of pop, indie and folk into her intricate, expressive sound, Flack is becoming renowned for her thought-provoking lyrical approach and seamlessly smooth instrumentality. A former Brit school student, the artist has an impressive musical […]<\/p>\n","protected":false},"author":3,"featured_media":172,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-171","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-discover"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/posts\/171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/comments?post=171"}],"version-history":[{"count":0,"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/posts\/171\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/media?parent=171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/categories?post=171"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/tags?post=171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}