{"id":3098,"date":"2022-08-07T00:50:28","date_gmt":"2022-08-07T00:50:28","guid":{"rendered":"https:\/\/lostinthenordics.com\/?p=3098"},"modified":"2022-08-07T00:50:28","modified_gmt":"2022-08-07T00:50:28","slug":"interview-the-loud-bangs-the-alice-experience-ep","status":"publish","type":"post","link":"https:\/\/nightshiftblog.com\/index.php\/2022\/08\/07\/interview-the-loud-bangs-the-alice-experience-ep\/","title":{"rendered":"Interview: The Loud Bangs &#8211; The Alice Experience EP"},"content":{"rendered":"\n<p><strong>&#8220;LA all-female shoegaze. New band in 2022, but this is our fourth 5-song EP this year. Still building listeners, but lots of great press. Trying to add something new to the sub-genre.&#8221;<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/lostinthenordics.com\/wp-content\/uploads\/2022\/08\/The_Loud_Bangs-The_Alice_Experience-tlb_band_photo_4-spot-1024x682.png\" alt=\"\" class=\"wp-image-3099\"\/><\/figure>\n\n\n\n<p><strong>For those that haven\u2019t heard of you yet, how would you best describe your sound and who have been your biggest influences so far?<\/strong><\/p>\n\n\n\n<p>What! Everyone\u2019s heard of us! But for those in Antarctica or in prison, we can tell you that our sound is based on the music and influences of Alice Street (guitar, vocals). She likes heavy guitars, melodies, and psychedelia. Along with her damage, the rest of the band is always on everything we do. For example, with our song \u2018New Flavors\u2019 \u2013 the guitars are MY BLOODY VALENTINE, the vocal is COCTEAU TWINS, the bass is<br>TALKING HEADS, and the drums are CHIC. It\u2019s the explosion that makes it THE LOUD<br>BANGS.<br>Mostly, we\u2019re a Shoegaze band. Crowded tracks. Phased Guitars. Blurry vocals. Pop sensibility. We\u2019re not purely Shoegaze, though, so we\u2019re either moving the sub-genre in a new direction or just fucking ruining it. We add-in lots of 90s music from when we were kids, plus dance grooves \u2018cos we do love all that Euro-club bullshit.<br>We should mention our songs are about mental health. We\u2019ve been dubbed (not by us) as \u2018the Pink Floyd of Shoegaze,\u2019 since our music has a lot of floating about in a hotel swimming pool with a cut-up hand.<\/p>\n\n\n\n<p><strong>Where are you based and can you tell us how the music scene there has inspired your sound?<\/strong><\/p>\n\n\n\n<p>Los Angeles, California, USA! We grew up on the Sunset Strip. That scene\u2019s not built for Shoegaze, though \u2013 we love the clothes, the personalities, the volume, the rock club vibe, but we find our noisiness elsewhere.<\/p>\n\n\n\n<p><strong>Do you remember what the first song was that made you want to start a career in music?<\/strong><\/p>\n\n\n\n<p>For Alice, it was \u2018Connection\u2019 by ELASTICA. For Daisy Gutierrez (vocals, guitar,synths), it was \u2018The Future\u2019 by PARAMORE. For Hannah Remley (bass), it was \u2018Burning Down the House\u2019 by TALKING HEADS. For Marcus Nemuro (drums), it was \u2018Piggy\u2019 by NINE INCH NAILS.<\/p>\n\n\n\n<p><strong>You have just released your new EP \u2018The Alice Experience.\u2019 Can you tell us how that came about? Is there a story behind it?<\/strong><\/p>\n\n\n\n<p><strong><br><\/strong>People think we\u2019re prolific and, I guess if you didn\u2019t know us, you would think that was true. We\u2019re actually lazy. Yet somehow, we released 21 songs in 6 months. We started in the summer of 2021 and the first EP was done by October. Then we were going to do a 10-song album, but the label split it into two five-song EPs (which were all<br>reconfigured a bit).<\/p>\n\n\n\n<p>\u2018The Alice Experience\u2019 is a B-sides EP (though it\u2019s not being marketed that way). Three leftovers from the \u2018Introducing The Loud Bangs\u2019 sessions, one from the \u2018Zaera\u2019 sessions, plus a duet with rapper K C Q. Nothing wrong with these songs, they just didn\u2019t fit with the prior releases. For example, \u2018The Gloria Films\u2019 got cut because it was similar to \u2018New Flavors.\u2019 Both songs are good, but they checked the same boxes, so we decided to spread them out on different releases.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: The Alice Experience\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/3p8MelxGGbsNRLk4WoNAw2?utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>And was there a particular style you were looking for when you wrote it?<\/strong><\/p>\n\n\n\n<p>As a B-sides EP, that\u2019s hard to answer. I can tell you that our first EP \u2018Zaera\u2019 was intended to be pure analog \u2013 like a Steve Albini recording from the 90s, which our producer Darren Callahan nailed.<br>For the LP version of \u2018Introducing The Loud Bangs,\u2019 the idea was to sound like a record on the 4AD label circa 1989. Lots of high end, chorused instruments, and compression, a ton of ooohs and ahhhs in the vocals. Brittle but brutal.<br>As that LP became two EPs (\u2018Introducing The Loud Bangs\u2019 and \u2018Highway Safety Films\u2019) that 4AD sound spilled over. To make it make sense, we grouped the songs on those EPs to be, like, one dreampop\/shoegaze and one that was a lot grungier. The newer tracks we\u2019re doing sound more ambient or ethereal dreampop, but we\u2019re not<br>done with them yet, so who knows what they\u2019ll be like after 1,000 remixes (sorry,<br>Darren).<\/p>\n\n\n\n<p><strong>You have recently released an EP, but can we expect another or even an album from you in the near future?<\/strong><\/p>\n\n\n\n<p>We have about 15 other songs in various states. We\u2019d like to do a full 10-song LP before the end of the year under the title \u2018Future Plaza.\u2019 But, again, this might break into two EPs. The EP strategy is from the label, but it has been fun, as artists, to create these contained 25-minute \u2018experiences.\u2019 Stay tuned, as we\u2019re not done yet and, like before, we might throw half the songs out. We have one song from long ago called \u2018Playboy Tattoo\u2019 that hasn\u2019t fit on anything so far, so that might creep in. Oh, and \u2018Electroprize\u2019 is older.<\/p>\n\n\n\n<p><strong>What is the biggest challenge of being a band?<\/strong><\/p>\n\n\n\n<p>None so far! Check back in a year when we\u2019re all famous and at each other\u2019s throats!<\/p>\n\n\n\n<p><strong>How do you structure your day?<\/strong><\/p>\n\n\n\n<p>We all work \u2013 bartenders, baristas, etc. \u2013 typical LA hassles. But, when we\u2019re creating, it\u2019s quick and usually at night or off hours. Darren likes to go fast, to not over-analyze things, try the first or second idea and see what sticks. This has helped us not be afraid. \u2018Flaws intact,\u2019 as we say. So, to have that happen, we basically work on one song at a<br>time, build it from the ground up, leave Darren to do his own improvements. When we finally hear it, it was made so quickly and so one-take that we often can\u2019t believe we did that! This helps us get over our self-consciousness. When we debate the near-final mixes, it usually isn\u2019t about things like: \u2018Should the bass be louder?\u2019 It\u2019s more, \u2018Is this too emotionally raw?\u2019 Alice wants to be transparent, but not ridiculed for it, and that\u2019s hard. With early songs like \u2018Are You Happy?\u2019 we were very worried to put the music out there, particularly when some critic or listener might make fun of it. I mean, we have a song about oranges and it triggered an hour-long debate about whether it was stupid to draw a comparison between loving the smell of oranges and dying in a car crash. Is that too obscure? Is it just fucking crazy!?<\/p>\n\n\n\n<p><strong>Do you have any hobbies or interests outside of music?<\/strong><\/p>\n\n\n\n<p>Daisy\u2019s an avid reader. Hannah plays video games. Alice exercises. Marcus smokes<br>pot. Do those count?<\/p>\n\n\n\n<p><strong>And finally, what is the one thing you hope to achieve as a band?<\/strong><\/p>\n\n\n\n<p>Catharsis.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: The Loud Bangs\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/artist\/3D53qqfivFGYVfl4Qaso6Z?si=4Us36e3qT9qPGv2fP4f5KA&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;LA all-female shoegaze. New band in 2022, but this is our fourth 5-song EP this year. Still building listeners, but lots of great press. Trying to add something new to the sub-genre.&#8221; For those that haven\u2019t heard of you yet, how would you best describe your sound and who have been your biggest influences so [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":3099,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-3098","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-discover"],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/posts\/3098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/comments?post=3098"}],"version-history":[{"count":0,"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/posts\/3098\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/media?parent=3098"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/categories?post=3098"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nightshiftblog.com\/index.php\/wp-json\/wp\/v2\/tags?post=3098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}